Items where Subject is "N Visual arts (General) For photography, see TR"

Library of Congress subjects (102130) N Fine Arts (482) N Visual arts (General) For photography, see TR (111)
Number of items at this level: 111.
2024
  • Ravia, Gal (2024). Live memory: Holocaust memory and the holographic encounter [Doctoral thesis]. London School of Economics and Political Science. https://doi.org/10.21953/lse.00004819 picture_as_pdf
    • 2023
  • Best, Antony (2023). To contemplate the soul of the oldest civilization in the world: Britain and the Chinese art exhibition of 1935-36. International History Review, 45(2), 292 - 306. https://doi.org/10.1080/07075332.2022.2120049 picture_as_pdf
    • 2022
  • Stramignoni, Igor (2022). Figuring out justice in dark times: on law, history, and the visual. Law and Humanities, https://doi.org/10.1080/17521483.2022.2139449 picture_as_pdf
  • Wille, Simone (17 October 2022) Huma Mulji: mobility, art and belonging. South Asia @ LSE. picture_as_pdf
    • 2021
  • Cayli, Eray (2021). Contemporary art and the geopolitics of extractivism in Turkey’s Kurdistan. Transactions of the Institute of British Geographers, 46(4), 929 - 943. https://doi.org/10.1111/tran.12465 picture_as_pdf
  • Green, Duncan (26 April 2021) How an arts project created real-world impact for refugees and formerly displaced persons. Africa at LSE. picture_as_pdf
  • Mgibe, Wezile (7 May 2021) Using art to challenge and share knowledge on African public health. Africa at LSE. picture_as_pdf
  • Stolic, Tijana (2021). Book review: Displacing Caravaggio: art, media, and humanitarian visual culture. Contemporary Political Theory, 20(S3), 135 - 139. https://doi.org/10.1057/s41296-020-00424-2
    • 2020
  • Callahan, William A. (2020). Sensible politics: visualizing international relations. Oxford University Press. https://doi.org/10.1093/oso/9780190071738.001.0001
  • Chatterjee, Sria (30 June 2020) Making the invisible visible: how we depict COVID-19. LSE COVID-19 Blog. picture_as_pdf
  • Chatterjee, Sria (10 July 2020) Making the invisible visible: how we depict Covid-19. Impact of Social Sciences Blog. picture_as_pdf
  • Morrison, Chandra (2020). Public art replacement on the Mapocho River:: erasure, renewal, and a conflict of cultural value in Santiago de Chile. Space and Culture, 23(2), 149 - 163. https://doi.org/10.1177/1206331218770782
  • Stramignoni, Igor (2020). Images of law. (LSE Law, Society and Economy Working Papers 1/2020). Department of Law, London School of Economics and Political Science. picture_as_pdf
    • 2019
  • Armstrong, Megan A. (2019). A nation reborn: right to law and right to life in The Purge franchise. Journal of Intervention and Statebuilding, 13(3), 377-392. https://doi.org/10.1080/17502977.2018.1562683 description
  • Chouliaraki, Lilie, Orwicz, Michael, Greeley, Robin (2019). Special Issue: The visual politics of the human. Visual Communication, 18(3), 301-309. https://doi.org/10.1177/1470357219846405 description
  • Hayhoe, Simon (2019). River is the Venue (RiV): evaluation of the public engagement project, involving artists, educational and arts agencies working collaboratively to educate the public on the history of flooding in Bath through accessible public artworks. University of Bath.
  • Hayhoe, Simon, Cohen, Ruby, Carrizosa, Helena Garcia (2019). Locke and Hume’s philosophical theory of color is investigated through a case study of Esref Armagan, an artist born blind. Journal of Blindness Innovation and Research, 9(1). https://doi.org/10.5241/9-149 picture_as_pdf
  • Longden, Vanessa (17 December 2019) Book review: photography and the art market by Juliet Hacking. LSE Review of Books. picture_as_pdf
  • Silver, Jonathan David (6 December 2019) Book review: Modernist Art in Ethiopia. Africa at LSE. picture_as_pdf
    • 2018
  • Blackmore, Kara, Serumaga, Nikissi (2018). Creating the right dynamic among our resident artists to curate impact in #LSEreturn.
  • Bucello, Girard (2018). The vaults. LSE Research Festival 2018. London School of Economics, London, United Kingdom, GBR.
  • Deller, Rosemary (2018). Author interview: Q&A with Stephen Glynn on new book, the British football film.
  • Handyside, Fiona (2018). Book review: the contemporary femme fatale: gender, genre and American cinema by Katherine Farrimond.
  • Kostovicova, Denisa, Sokolić, Ivor, Paskhalis, Tom, Milic, Nela (2018). Text illuminations: from the method to the artefact. picture_as_pdf
  • Montague, Penny (2018). Book review: deconstructing Dirty Dancing by Stephen Lee Naish.
  • Stock, Paul (2018). Lost treasures of Strawberry Hill: masterpieces from Horace Walpole's collection. Criticks Reviews, picture_as_pdf
    • 2017
  • Cant, Anna (2017). Representando la Revolución la propaganda política del gobierno de Juan Velasco Alvarado en el Perú, 1968-1975’. In Schuster, Sven, Hernández Quiñones, Óscar Daniel (Eds.), Imaginando América Latina: historia y cultura visual Siglo XIX - XXI (pp. 281 - 313). Universidad del Rosario. picture_as_pdf
  • Hölsgens, Sander (2017). Book review: after uniqueness: a history of film and video art in circulation by Erika Balsom.
  • Middle East Centre Blog (2017). ‘Multitudes’ Exhibition – Celebrating contemporary female artists from the MENA region.
  • Schmid, Julian (2017). Book review: disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world edited by Christina Hellmich and Lisa Purse.
  • Taylor, Claire (2017). Using social media to curate digital artworks can lead to increased and more dynamic public participation and engagement.
    • 2016
  • Banaji, Shakuntala (2016). Bollywood's periphery: child stars and representations of childhood in Hindi films. In O'Connor, Jane, Mercer, John (Eds.), Childhood and Celebrity . Routledge.
  • Giraudeau, Martin (2016). Inclined plans: on the mechanics of modern futures. In Latour, Bruno, Leclerc, Christophe (Eds.), Reset Modernity! (pp. 286-292). MIT Press and ZKM, Center for Art and Media Karlsruhe.
  • Giraudeau, Martin (2016). The business of continuity. In Latour, Bruno, Leclerc, Christophe (Eds.), Reset Modernity! (pp. 278-285). MIT Press and ZKM, Center for Art and Media Karlsruhe.
  • Kilroy, Peter (2016). Book review: remote avant-garde: aboriginal art under occupation by Jennifer Loureide Biddle.
  • Kostovicova, Denisa (2016). Art and reconciliation: Looking at post-conflict reconstruction in a different light.
  • Tortopidou-Derieux, Kyriaki (2016). The politics of religious experience in Fifteenth-Century Europe through an East-West encounter: a re-interpretation [Doctoral thesis]. London School of Economics and Political Science.
  • Wood, Lucy (2016). Hoardings around Hackney: sociology, art and barriers.
    • 2015
  • Akhtar, Zoya, Shriram, Sharanya (2015). “Forget my creative expression, I can tell other stories, but can you imagine being a part of a society that thinks that you should not exist?” – Zoya Akthar.
  • Banaji, Shakuntala (2015). Have you seen The Hobbit films? Fill out this questionnaire.
  • Becker, Amy Bree (2015). Political satire makes young people more likely toparticipate in politics: Trevor Noah’s The Daily Showis likely to continue that trend.
  • Bingham-Hall, John (2015). Public art as a function of urbanism. In Cartiere, Cameron, Zebracki, Martin (Eds.), The Everyday Practice of Public Art: Art, Space, and Social Inclusion (pp. 161-176). Routledge.
  • Dittmar, Jeremiah, Seabold, Skipper (2015). Media, markets and institutional change: evidence from the Protestant Reformation. (CEP Discussion Papers CEPDP1367). London School of Economics and Political Science. Centre for Economic Performance.
  • Hayhoe, Simon (2015-10-17) Critical duality and the understanding of art by blind people [Other]. Keynote Presentation, Thessaly, Greece, GRC. desktop_windows
  • Haynes, Suyin (2015). Positive Living: Art and AIDS in South Africa.
  • Hölsgens, Sander (2015). Book Review: The cinema of Agnès Varda: resistance and eclecticism by Delphine Bénézet.
  • Lim, Wilfred (2015). Art, displacement and sociology.
  • Matczak, Anna (2015). Restorative justice, photography…and theory.
  • Rees, Susannah (2015). LSE research festival workshops: Susannah Rees on poster design.
  • Tambini, Damian (2015). Five theses on public media and digitization:from a 56-country study. International Journal of Communication, 9(2015), 1400-1424.
  • Tambini, Damian (2015). Problems and solutions for public service broadcasting: reflections on a 56 country study. In Arriaza Ibarra, Karen, Nowak, Eva, Kuhn, Raymond (Eds.), Public service media in europe: a comparative approach (pp. 41-52). Routledge.
  • Zhang, Linzhi (2015). Fieldwork in the contemporary Chinese art world. video_file
    • 2014
  • Garnsey, Eliza (2014). Azania in Venice. LSE Research Festival 2014. London, London, United Kingdom, GBR.
  • Garnsey, Eliza (2014). Performing justice for the Venus in Venice. LSE Research Festival 2014. London, London, United Kingdom, GBR.
  • Glendinning, Simon (2014). Settled-there: Heidegger on the work of art as the cultivation of place. Journal of Aesthetics and Phenomenology, 1(1), 7 - 31. https://doi.org/10.2752/20539339XX14005942184053
  • Hanquinet, Laurie, Roose, Henk, Savage, Mike (2014). The eyes of the beholder: aesthetic preferences and the remaking of cultural capital. Sociology, 48(1), 111-132. https://doi.org/10.1177/0038038513477935
  • Hilton, Penny (2014). LSE research festival workshops: Penny Hilton on representing research on film.
  • Matthews, Jodie (2014). Book review: female masochism in film by Ruth McPhee.
  • Maxwell, Hailey (2014). Book review: re-collection: art, new media and social memory by Richard Rinehart and Jon Ippolito.
  • Mijs, Jonathan J.B (2014). Detroit's wealth of ruins. Contexts, 13(2), 62-69. https://doi.org/10.1177/1536504214533503
  • Mulcahy, Linda (2014). LSE research festival exhibitor interviews: Linda Mulcahy.
  • Swanepoel, Konrad (2014). Book review: Beautiful geometry by Eli Maor and Eugen Jost.
    • 2013
  • Encheva, Kameliya, Driessens, Olivier, Verstraeten, Hans (2013). The mediatization of deviant subcultures: an analysis of the media-related practices of graffiti writers and skaters. Mediekultur: Journal of Media and Communication Research, 29(54), 8-25.
  • Frigg, Roman (2013). Clever fetishists. Art History, 36(3), 665-669. https://doi.org/10.1111/1467-8365.12024
  • Garland, Ruth (2013). Strange fascination: image in music and politics Part One.
  • Gokarakonda, Susheel (2013). Book review: The politics of art in modern Egypt: aesthetics, ideology and nation building.
  • Habib, Laleh (2013). Indian cinema and the politics of national belonging.
  • Hook, Derek, Glăveanu, Vlad Petre (2013). Image analysis: an interactive approach to compositional elements. Qualitative Research in Psychology, 10(4), 355-368. https://doi.org/10.1080/14780887.2012.674175
  • Marples, Alice (2013). Book Review: Wicked intelligence: visual art and the science of experiment in Restoration London.
  • Montserrat, Jade (2013). Book Review: Inventing Peace: A Dialogue on Perception.
  • Montserrat, Jade (2013). Book review: Museums: a visual anthropology.
  • Santhanam, Anuradha (2013). What is visual journalism?
  • Willoughby, Syerramia (2013). Photoblog: The African Diaspora in the Indian Ocean World.
    • 2012
  • Abdulai, Jemila (2012). Ghana 2012: An African Election – A Reminder of What’s At Stake.
  • Africa@LSE (2012). Film, Town of Runners, set for showing at LSE.
  • Africa@LSE (2012). LSE Exhibition – Justice and Security: there is more than one truth.
  • Belli, Simone (2012). Book review: Deleuze reframed.
  • Chandler, Michael (2012). #LSE alum helps #SierraLeone youth find a #WAYout.
  • Datzberger, Simon (2012). Virtually Constructing Awareness Campaigns – Restrictions of ‘Viral’ Global Public Discourse #Kony2012.
  • Hanquinet, Laurie, Savage, Mike (2012). ‘Educative leisure’ and the art museum. Museum and Society, 10(1), 42-59.
  • Kersten, Mark (2012). Taking #Kony2012 Down a Notch – Responding to Criticism.
  • McDoom, Omar Shahabudin (2012). Are the criticisms of the #Kony2012 campaign justified?
  • Nyameko Pityana, Barney (2012). Black Consciousness, Black Theology, Student Activism and the Shaping of the New South Africa #SteveBiko.
  • Schomerus, Mareike (2012). #Kony2012: How not to change the world.
  • South Asia, LSE (2012). Seeing Mumbai: media portrayals of cities in the Global South. picture_as_pdf
  • Washtell, Francesca (2012). African film takes centre stage in London #FilmAfrica.
    • 2011
  • Banet-Weiser, Sarah (2011). Convergence on the street: rethinking the authentic/commercial divide. Cultural Studies, 25(4-5), 641-658. https://doi.org/10.1080/09502386.2011.600553
  • Beckett, Charlie (2011). The end of (TV) natural history? Frozen Planet review.
  • Frigg, Roman, Howard, Catherine (2011). Fact and fiction in the neuropsychology of art. In Schellekens, Elisabeth, Goldie, Peter (Eds.), The Aesthic Mind: Philosophy and Psychology (pp. 54-70). Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199691517.003.0005
  • Giraudeau, Martin (2011). Imagining (the future) business: how to make firms with plans? In Quattrone, Pablo, Thrift, Nigel, McClean, Chris, Puyou, Francios-Regis (Eds.), IMAgining Organizations: Performative IMAgery in Business and Beyond . Routledge.
    • 2010
  • Frigg, Roman, Hunter, Matthew (Eds.) (2010). Beyond mimesis and convention: representation in art and science. Springer Berlin / Heidelberg.
  • Hayhoe, Simon (2010). Blindness, photography and art.
  • Mariátegui, José-Carlos (2010). Re-interpretations in crossfire and the global voice of resistance: an installation by Shahidul Alam. Third Text, 24(6), 760-763. https://doi.org/10.1080/09528822.2010.517928
    • 2009
  • Gornostaeva, Galina, Brunet, Johanne (2009). Internationalization of the production process in the US film industry: the case of the United Kingdom. International Journal of Arts Management, 12(1), 21-30.
  • Rubiés, Joan-Pau (2009). Texts, images and the perception of ‘savages’ in Early Modern Europe: what we can learn from White and Harriot. In Sloan, Kim (Ed.), European Visions: American Voices (pp. 120-130). British Museum.
  • Sabsay, Leticia (2009). Por los rumbos de la economía visual: identidades, cuerpos y estéticas. In Arfuch, Leonor, Devalle, Veronica (Eds.), Visualidades Sin Fin: Imagen y Diseño en la Sociedad Global (pp. 75 - 104). Prometeo 3010 (Firm).
    • 2008
  • Hayhoe, Simon (2008). Arts, culture and blindness: studies of blind students in the visual arts. Cambria Press.
    • 2007
  • Beckett, Charlie (2007). Beyond the brand: 2012.
  • Beckett, Charlie (2007). Online video doesn't have to move….
  • Beckett, Charlie (2007). Picture this….
  • Sabsay, Leticia (2007). En los límites del género: cine, performatividad y subjetividades contemporáneas. In Felici, Javier Marzal, Gomez Tarin, Francisco Javier (Eds.), Metodologías de Análisis del Film (pp. 205 - 214). Edipo.
    • 2006
  • Tavernor, Robert (2006). Sobre alberti e a arte edificatória. Desígnio: Revista de História Da Arquitetura e Do Urbanismo, 5, 47-59.
    • 2005
  • Villacorta, Jorge, Mariátegui, José-Carlos (2005). Un espasmo global Latinoamericano. In Videografias Invisibles: Una Seleccion De Videoarte Latinoamericano 2000 - 2005 (pp. 12-38). Museo Patio Herreriano.
    • 2003
  • Hayhoe, Simon (2003). The development of the research in the psychology of visual impairment in the visual arts. In Art Beyond Sight: a Resource Guide to Art, Creativity, and Visual Impairment . American Foundation for the Blind.
  • Jenkins, Tiffany (2003). Dead heads: medical and artistic attitudes towards the dead body. In Kaplan, J. (Ed.), Exhumed (pp. 14-16). Parabola Trust.
  • Tavernor, Robert (2003). Brevity without obscurity: text and image in the architectural treatises of Daniele Barbaro and Andrea Palladio. In Palmer, Rodney, Frangenberg, Thomas (Eds.), The Rise of the IMAge: Essays on the History of the Illustrated Art Book (pp. 105-134). Ashgate Dartmouth.
    • 2002
  • Hayhoe, Simon (2002-09-01) Borrowing from language studies and semiotics to form a research framework of institutional art education and blindness [Paper]. Educational Research Network Conference, Birmingham, United Kingdom, GBR.
  • Mariátegui, José-Carlos (2002). Nueva / Vista: Videokunst aus Lateinamerika. Institut für Auslandsbeziehungen.
    • 1999
  • Bloch, Maurice (1999). Book review: Une nouvelle théorie de l’art: a propos d’Art and agency d’Alfred Gell. Terrain, 32, 119-128. https://doi.org/9782735113033
  • Pratt, Andy C. (1999). Technological and organisational change in the European audio-visual industries: an exploratory analysis of the consequences for employment. European Audiovisual Observatory, Council of Europe / London School of Economics and Political Science.
    • 1998
  • Allen, Jessica, Livingstone, Sonia, Reiner, Robert (1998). True lies: changing images of crime in British postwar cinema. European Journal of Communication, 13(1), 53-75. https://doi.org/10.1177/0267323198013001003