Items where Subject is "N Visual arts (General) For photography, see TR"

  • Library of Congress subjects (96941)
  • N Fine Arts (465)
  • N Visual arts (General) For photography, see TR (109)
    Number of items at this level: 109.
    Article
  • True lies: changing images of crime in British postwar cinema (1998) Allen, Jessica; Livingstone, Sonia; Reiner, Robert
  • A nation reborn: right to law and right to life in The Purge franchise (2019) Armstrong, Megan A. description
  • Convergence on the street: rethinking the authentic/commercial divide (2011) Banet-Weiser, Sarah
  • To contemplate the soul of the oldest civilization in the world: Britain and the Chinese art exhibition of 1935-36 (2023) Best, Antony picture_as_pdf
  • Book review: Une nouvelle théorie de l’art: a propos d’Art and agency d’Alfred Gell (1999) Bloch, Maurice
  • Contemporary art and the geopolitics of extractivism in Turkey’s Kurdistan (2021) Cayli, Eray picture_as_pdf
  • Special Issue: The visual politics of the human (2019) Chouliaraki, Lilie; Orwicz, Michael; Greeley, Robin description
  • The mediatization of deviant subcultures: an analysis of the media-related practices of graffiti writers and skaters (2013) Encheva, Kameliya; Driessens, Olivier; Verstraeten, Hans
  • Clever fetishists (2013) Frigg, Roman
  • Settled-there: Heidegger on the work of art as the cultivation of place (2014) Glendinning, Simon
  • Internationalization of the production process in the US film industry: the case of the United Kingdom (2009) Gornostaeva, Galina; Brunet, Johanne
  • The eyes of the beholder: aesthetic preferences and the remaking of cultural capital (2014) Hanquinet, Laurie; Roose, Henk; Savage, Mike
  • ‘Educative leisure’ and the art museum (2012) Hanquinet, Laurie; Savage, Mike
  • Locke and Hume’s philosophical theory of color is investigated through a case study of Esref Armagan, an artist born blind (2019) Hayhoe, Simon; Cohen, Ruby; Carrizosa, Helena Garcia picture_as_pdf
  • Image analysis: an interactive approach to compositional elements (2013) Hook, Derek; Glăveanu, Vlad Petre
  • Re-interpretations in crossfire and the global voice of resistance: an installation by Shahidul Alam (2010) Mariátegui, José-Carlos
  • Detroit's wealth of ruins (2014) Mijs, Jonathan J.B
  • Public art replacement on the Mapocho River: erasure, renewal, and a conflict of cultural value in Santiago de Chile (2020) Morrison, Chandra
  • Book review: Displacing Caravaggio: art, media, and humanitarian visual culture (2021) Stolic, Tijana
  • Figuring out justice in dark times: on law, history, and the visual (2022) Stramignoni, Igor picture_as_pdf
  • Five theses on public media and digitization:from a 56-country study (2015) Tambini, Damian
  • Sobre alberti e a arte edificatória (2006) Tavernor, Robert
    • Audio/visual resource
  • The vaults (2018) Bucello, Girard
  • Azania in Venice (2014) Garnsey, Eliza
  • Performing justice for the Venus in Venice (2014) Garnsey, Eliza
  • Fieldwork in the contemporary Chinese art world (2015) Zhang, Linzhi video_file
    • Book
  • Beyond mimesis and convention: representation in art and science (2010) UNSPECIFIED
  • Sensible politics: visualizing international relations (2020) Callahan, William A.
  • Arts, culture and blindness: studies of blind students in the visual arts (2008) Hayhoe, Simon
    • Chapter
  • Bollywood's periphery: child stars and representations of childhood in Hindi films (2016) Banaji, Shakuntala
  • Public art as a function of urbanism (2015) Bingham-Hall, John
  • Representando la Revolución: la propaganda política del gobierno de Juan Velasco Alvarado en el Perú, 1968-1975’ (2017) Cant, Anna picture_as_pdf
  • Fact and fiction in the neuropsychology of art (2011) Frigg, Roman; Howard, Catherine
  • Imagining (the future) business: how to make firms with plans? (2011) Giraudeau, Martin
  • Inclined plans: on the mechanics of modern futures (2016) Giraudeau, Martin
  • The business of continuity (2016) Giraudeau, Martin
  • The development of the research in the psychology of visual impairment in the visual arts (2003) Hayhoe, Simon
  • Dead heads: medical and artistic attitudes towards the dead body (2003) Jenkins, Tiffany
  • Texts, images and the perception of ‘savages’ in Early Modern Europe: what we can learn from White and Harriot (2009) Rubiés, Joan-Pau
  • En los límites del género: cine, performatividad y subjetividades contemporáneas (2007) Sabsay, Leticia
  • Por los rumbos de la economía visual: identidades, cuerpos y estéticas (2009) Sabsay, Leticia
  • Problems and solutions for public service broadcasting: reflections on a 56 country study (2015) Tambini, Damian
  • Brevity without obscurity: text and image in the architectural treatises of Daniele Barbaro and Andrea Palladio (2003) Tavernor, Robert
  • Un espasmo global Latinoamericano (2005) Villacorta, Jorge; Mariátegui, José-Carlos
    • Conference or Workshop Item
  • Borrowing from language studies and semiotics to form a research framework of institutional art education and blindness (2002) Hayhoe, Simon
  • Critical duality and the understanding of art by blind people (2015) Hayhoe, Simon desktop_windows
    • Report
  • River is the Venue (RiV) evaluation of the public engagement project, involving artists, educational and arts agencies working collaboratively to educate the public on the history of flooding in Bath through accessible public artworks (2019) Hayhoe, Simon
  • Nueva / Vista: Videokunst aus Lateinamerika (2002) Mariátegui, José-Carlos
  • Technological and organisational change in the European audio-visual industries: an exploratory analysis of the consequences for employment (1999) Pratt, Andy C.
    • Online resource
  • Ghana 2012: An African Election – A Reminder of What’s At Stake (2012) Abdulai, Jemila
  • Film, Town of Runners, set for showing at LSE (2012) Africa@LSE
  • LSE Exhibition – Justice and Security: there is more than one truth (2012) Africa@LSE
  • “Forget my creative expression, I can tell other stories, but can you imagine being a part of a society that thinks that you should not exist?” – Zoya Akthar (2015) Akhtar, Zoya; Shriram, Sharanya
  • Have you seen The Hobbit films? Fill out this questionnaire (2015) Banaji, Shakuntala
  • Political satire makes young people more likely toparticipate in politics: Trevor Noah’s The Daily Showis likely to continue that trend (2015) Becker, Amy Bree
  • Beyond the brand: 2012 (2007) Beckett, Charlie
  • Online video doesn't have to move… (2007) Beckett, Charlie
  • Picture this… (2007) Beckett, Charlie
  • The end of (TV) natural history? Frozen Planet review (2011) Beckett, Charlie
  • Book review: Deleuze reframed (2012) Belli, Simone
  • Creating the right dynamic among our resident artists to curate impact in #LSEreturn (2018) Blackmore, Kara; Serumaga, Nikissi
  • #LSE alum helps #SierraLeone youth find a #WAYout (2012) Chandler, Michael
  • Virtually Constructing Awareness Campaigns – Restrictions of ‘Viral’ Global Public Discourse #Kony2012 (2012) Datzberger, Simon
  • Author interview: Q&A with Stephen Glynn on new book, the British football film (2018) Deller, Rosemary
  • Strange fascination: image in music and politics Part One (2013) Garland, Ruth
  • Book review: The politics of art in modern Egypt: aesthetics, ideology and nation building (2013) Gokarakonda, Susheel
  • Indian cinema and the politics of national belonging (2013) Habib, Laleh
  • Book review: the contemporary femme fatale: gender, genre and American cinema by Katherine Farrimond (2018) Handyside, Fiona
  • Blindness, photography and art (2010) Hayhoe, Simon
  • Positive Living: Art and AIDS in South Africa (2015) Haynes, Suyin
  • LSE research festival workshops: Penny Hilton on representing research on film (2014) Hilton, Penny
  • Book Review: The cinema of Agnès Varda: resistance and eclecticism by Delphine Bénézet (2015) Hölsgens, Sander
  • Book review: after uniqueness: a history of film and video art in circulation by Erika Balsom (2017) Hölsgens, Sander
  • Taking #Kony2012 Down a Notch – Responding to Criticism (2012) Kersten, Mark
  • Book review: remote avant-garde: aboriginal art under occupation by Jennifer Loureide Biddle (2016) Kilroy, Peter
  • Art and reconciliation: Looking at post-conflict reconstruction in a different light (2016) Kostovicova, Denisa
  • Text illuminations: from the method to the artefact (2018) Kostovicova, Denisa; Sokolić, Ivor; Paskhalis, Tom; Milic, Nela picture_as_pdf
  • Art, displacement and sociology (2015) Lim, Wilfred
  • Book Review: Wicked intelligence: visual art and the science of experiment in Restoration London (2013) Marples, Alice
  • Restorative justice, photography…and theory (2015) Matczak, Anna
  • Book review: female masochism in film by Ruth McPhee (2014) Matthews, Jodie
  • Book review: re-collection: art, new media and social memory by Richard Rinehart and Jon Ippolito (2014) Maxwell, Hailey
  • Are the criticisms of the #Kony2012 campaign justified? (2012) McDoom, Omar Shahabudin
  • ‘Multitudes’ Exhibition – Celebrating contemporary female artists from the MENA region (2017) Middle East Centre Blog
  • Book review: deconstructing Dirty Dancing by Stephen Lee Naish (2018) Montague, Penny
  • Book Review: Inventing Peace: A Dialogue on Perception (2013) Montserrat, Jade
  • Book review: Museums: a visual anthropology (2013) Montserrat, Jade
  • LSE research festival exhibitor interviews: Linda Mulcahy (2014) Mulcahy, Linda
  • Black Consciousness, Black Theology, Student Activism and the Shaping of the New South Africa #SteveBiko (2012) Nyameko Pityana, Barney
  • LSE research festival workshops: Susannah Rees on poster design (2015) Rees, Susannah
  • What is visual journalism? (2013) Santhanam, Anuradha
  • Book review: disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world edited by Christina Hellmich and Lisa Purse (2017) Schmid, Julian
  • #Kony2012: How not to change the world (2012) Schomerus, Mareike
  • Seeing Mumbai: media portrayals of cities in the Global South (2012) South Asia, LSE picture_as_pdf
  • Lost treasures of Strawberry Hill: masterpieces from Horace Walpole's collection (2018) Stock, Paul picture_as_pdf
  • Book review: Beautiful geometry by Eli Maor and Eugen Jost (2014) Swanepoel, Konrad
  • Using social media to curate digital artworks can lead to increased and more dynamic public participation and engagement (2017) Taylor, Claire
  • African film takes centre stage in London #FilmAfrica (2012) Washtell, Francesca
  • Photoblog: The African Diaspora in the Indian Ocean World (2013) Willoughby, Syerramia
  • Hoardings around Hackney: sociology, art and barriers (2016) Wood, Lucy
    • Working paper
  • Media, markets and institutional change: evidence from the Protestant Reformation (2015) Dittmar, Jeremiah; Seabold, Skipper
  • Images of law (2020) Stramignoni, Igor picture_as_pdf
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  • Making the invisible visible: how we depict COVID-19 (2020) Chatterjee, Sria picture_as_pdf
  • Making the invisible visible: how we depict Covid-19 (2020) Chatterjee, Sria picture_as_pdf
  • How an arts project created real-world impact for refugees and formerly displaced persons (2021) Green, Duncan picture_as_pdf
  • Book review: photography and the art market by Juliet Hacking (2019) Longden, Vanessa picture_as_pdf
  • Using art to challenge and share knowledge on African public health (2021) Mgibe, Wezile picture_as_pdf
  • Book review: Modernist Art in Ethiopia (2019) Silver, Jonathan David picture_as_pdf
  • Huma Mulji: mobility, art and belonging (2022) Wille, Simone picture_as_pdf