Items where Subject is "M Music"

Library of Congress subjects (102130) M Music and Books on Music (110) M Music (92)
Number of items at this level: 92.
2025
  • Abu El Foul, Luqman (2025). Rhythms of an uprising: indexing the 2021 Unity Intifada through an analysis of Palestinian rap music. Journal of Palestine Studies, 54(2), 6 - 27. https://doi.org/10.1080/0377919X.2025.2520187 picture_as_pdf
    • 2024
  • Withers, Polly (2024). Mediating queer masculinities through alternative music from Palestine. Feminist Media Studies, https://doi.org/10.1080/14680777.2024.2338414 picture_as_pdf
    • 2023
  • Lazarus, Suleman (22 November 2023) The endorsement of online fraud in Nigerian music. Africa at LSE. picture_as_pdf
  • Owusu-Bempah, Abenaa (2023). Scrutinising rap evidence: R v Heslop. Archbold Review, 2, p. 5.
  • Wade, Robert Hunter (2023). Conversations with Gyorgy Ligeti. Challenge, https://doi.org/10.1080/05775132.2023.2225324 picture_as_pdf
  • Withers, Polly (2023). Feminism ruptured, or feminism repaired? Music, feminisms, and gender politics in Palestinian subcultures. In Skalli, Loubna, Eltantawy, Nahed (Eds.), The Palgrave Handbook on Gender and Communication in the Middle East and North Africa (pp. 427–445). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-11980-4_24 picture_as_pdf
    • 2022
  • Bryant, Lucy Elizabeth (2022). Who’s running the show? The regulation of live music in England and Wales [Doctoral thesis]. London School of Economics and Political Science. https://doi.org/10.21953/lse.00004599
  • Kolbe, Kristina (2022). Producing (musical) difference: power, practices and inequalities in diversity initiatives in Germany’s classical music sector. Cultural Sociology, 16(2), 231 - 249. https://doi.org/10.1177/17499755211039437
  • Osiebe, Garhe (6 April 2022) From Nigeria to the world: Afrobeats is having a global moment. Africa at LSE. picture_as_pdf
  • Owusu-Bempah, Abenaa (2022). Prosecuting rap what does the case law tell us? Popular Music, 41(4), 427 - 445. https://doi.org/10.1017/S0261143022000575 picture_as_pdf
  • Owusu-Bempah, Abenaa (2022). The irrelevance of rap. Criminal Law Review, 2022(2), 130 - 151. picture_as_pdf
  • Patgiri, Rituparna (17 March 2022) Book review: Genre publics: popular music, technologies, and class in Indonesia by Emma Baulch. LSE Review of Books. picture_as_pdf
    • 2021
  • Lewis, David, Rodgers, Dennis, Woolcock, Michael (2021). The sounds of development: musical representations as a(nother) source of development knowledge. The Journal of Development Studies, 57(8), 1397 - 1412. https://doi.org/10.1080/00220388.2020.1862800 picture_as_pdf
  • Mgibe, Wezile (7 May 2021) Using art to challenge and share knowledge on African public health. Africa at LSE. picture_as_pdf
  • Withers, Polly (2021). Ramallah ravers and Haifa hipsters: gender, class, and nation in Palestinian popular culture. British Journal of Middle Eastern Studies, 48(1), 94 - 113. https://doi.org/10.1080/13530194.2021.1885852 picture_as_pdf
    • 2020
  • Fatsis, Lambros (16 January 2020) Book review: the use and abuse of music: criminal records by Eleanor Peters. LSE Review of Books. picture_as_pdf
  • Li, Gordon C. (2020). Distinction in China - the rise of taste in cultural consumption [Doctoral thesis]. London School of Economics and Political Science.
  • Owusu-Bempah, Abenaa (27 August 2020) Part of art or part of life? Rap lyrics in criminal trials. British Politics and Policy at LSE. picture_as_pdf
    • 2019
  • Bryant, Lucy (2019-02-25 - 2019-03-02) Policing of live music in England and Wales [Poster]. LSE Research Festival 2019: New World (Dis)Orders, London School of Economics, London, United Kingdom, GBR. picture_as_pdf
  • Kolbe, Kristina (2019). Performing interculture: inequality, diversity and difference in contemporary music production in Berlin [Doctoral thesis]. London School of Economics and Political Science.
  • Li, Zhongwei (2019). Cut-out: music, profanity, and subcultural politics in 1990s China [Doctoral thesis]. London School of Economics and Political Science.
  • Long, Nicholas J. (2019). Who cares about Malay music--and why?: migrant musicality, Christian composition, backlash and boundaries in an Indonesian province made for Malays. In Kartomi, Margaret J. (Ed.), Performing the arts of Indonesia: Malay identity and politics in the, music, dance and theatre of the Riau Islands (pp. p. 20). NIAS Press. picture_as_pdf
  • Roy, Tirthankar (2019). Music and society in late colonial India: a study of Esraj in Gaya. Journal of Asian Studies, 79(1), 25-49. https://doi.org/10.1017/S0021911819000123 picture_as_pdf
    • 2018
  • Accominotti, Fabien, Khan, Shamus R., Storer, Adam (2018). How cultural capital emerged in Gilded Age America: musical purification and cross-class inclusion at the New York Philharmonic. American Journal of Sociology, 123(6), 1743 - 1783. https://doi.org/10.1086/696938 picture_as_pdf
  • Daykin, Norma, Mansfield, Louise, Meads, Catherine, Julier, Guy, Tomlinson, Alan, Payne, Annette, Grigsby Duffy, Lily, Lane, Jack, D’Innocenzo, Giorgia & Burnett, Adele et al (2018). What works for wellbeing? A systematic review of wellbeing outcomes for music and singing in adults. Perspectives in Public Health, 138(1), 39-46. https://doi.org/10.1177/1757913917740391
  • McDonagh, Luke (2018). Protecting traditional music under copyright (and choosing not to enforce it. In Bonadio, Enrico, Lucchi, Nicola (Eds.), Non conventional copyright: do new and atypical works deserve protection? (pp. 151-173). Edward Elgar. https://doi.org/10.4337/9781786434074
  • Pemberton, Mark (2018). Orchestral manoeuvres, in the dark: what Brexit means for touring musicians. picture_as_pdf
    • 2017
  • Baker, Catherine (2017). Eurovision 2017 was remarkable for its lack of politics.
  • Behr, Adam, Negus, Keith, Street, John (2017). Understanding musical copyright in the digital age.
  • Bieleninik, Łucja, Geretsegger, Monika, Mössler, Karin, Assmus, Jörg, Thompson, Grace, Gattino, Gustavo, Elefant, Cochavit, Gottfried, Tali, Igliozzi, Roberta & Muratori, Filippo et al (2017). Effects of improvisational music therapy vs enhanced standard care on symptom severity among children with autism spectrum disorder: the TIME-A randomized clinical trial. JAMA, 318(6), 525-535. https://doi.org/10.1001/jama.2017.9478 picture_as_pdf
  • Clift, Stephen, Skingley, Ann, Page, Sonia, Stephens, Lizzi, Hurley, Sadie, Dickinson, John, Meadows, Steve, Levai, Irisz, Jackson, Anna & Sullivan, Roisin et al (2017). Singing for better breathing: findings from the Lambeth and Southwark singing and COPD project. Sidney De Haan Research Centre for Arts and Health, Canterbury Christ Church University.
  • Dunin-Wąsowicz, Roch (2017). The Eurovision in Ukraine was an exercise in soft power.
  • Roberts, Syamala (2017). Book review: the age of noise in Britain: hearing modernity by James G. Mansell.
    • 2016
  • Zaborowski, Rafal (Ed.) (2016). Audiences and their musics: new approaches [Special issue]. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 8(3).
  • Broughton Micova, Sally (2016). Why the UK’s creative industries are better off in the EU.
  • Daniel, Ronda (2016). A week of black feminism and colourism – in pictures.
  • Gusejnova, Dina (2016). Jazz anxiety and the European fear of cultural change: towards a transnational history of a political emotion. Cultural History, 5(1), 26-50. https://doi.org/10.3366/cult.2016.0108 picture_as_pdf
  • Knott, Ellie (2016). Ukraine’s Eurovision victory brings the plight of Crimean Tatars to a European audience.
  • Umney, Charles (2016). Musicians are exploited on the London and Paris jazz scenes.
  • Umney, Charles (2016). New online live music agencies have oversized power over musicians.
  • Zaborowski, Rafal (2016). Hatsune Miku and Japanese virtual idols. In Whiteley, Shelia, Rambarran, Shara (Eds.), The Oxford Handbook of Music and Virtuality . Oxford University Press.
  • Zaborowski, Rafal (2016). Hello from the other side of music video regulation.
  • Zaborowski, Rafal (2016). ‘Explode all our metaphors’ – on the potential of sound in media and audience studies. An interview with Martin Barker. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9(2).
  • Zaborowski, Rafal (2016). Introduction: new approaches to audiences and their musics. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9(2).
    • 2015
  • Borowiecki, Karol Jan, Kavetsos, Georgios (2015). In fatal pursuit of immortal fame: peer competition and early mortality of music composers. Social Science & Medicine, 134, 30-42. https://doi.org/10.1016/j.socscimed.2015.03.052
  • Bull, Anna (24 March 2015) Book review: El Sistema: orchestrating Venezuela’s youth. LSE Review of Books. picture_as_pdf
  • Hasan, Mubashar (2015). Rock ‘n’ Roll, social change and democratisation in Bangladesh.
  • Hensby, Alex (2015). Book review: networks of sound, style and subversion: the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975–80.
  • Velander, Marielle (2015). Throw your heart out into the world: a tribute concert to Pakistani human rights activist Sabeen Mahmud.
  • Zaborowski, Rafal (2015). Audible audiences: engaging with music in Japan [Doctoral thesis]. London School of Economics and Political Science.
    • 2014
  • Al-Ghazzi, Omar (2014). The flow and entrapment of Syrian Jazira music. Jadaliyya,
  • Book Reviews, LSE (2014). Reading list: 7 must-read books on music festivals and carnival culture.
  • Kretschmer, Tobias, Peukert, Christian (2014). Video killed the radio star? Online music videos and digital music sales. (CEP Discussion Papers CEPDP1265). London School of Economics and Political Science. Centre for Economic Performance.
  • Maghazei, Malihe (2014). Trends in contemporary conscious music in Iran. (LSE Middle East Centre paper series 03). London School of Economics and Political Science.
  • Singeisen, David (2014). Book review: sing the rage: listening to anger after mass violence by Sonali Chakravarti.
    • 2013
  • Baker, Catherine (2013). Book review: Studying popular music culture.
  • Benneworth, Paul (2013). Book review: Music festivals and regional development inAustralia.
  • Garland, Ruth (2013). Strange fascination: image in music and politics Part One.
  • Warwick, Ben, Houghton, Ruth (13 November 2013) Age restrictions on music videos – sexism solved? Engenderings. picture_as_pdf
    • 2012
  • Bakker, Gerben (2012). Adopting the rights-based model: music multinationals and local music industries since 1945. (Economic History Working Papers 170/12). Department of Economic History, London School of Economics and Political Science.
  • Chandler, Michael (2012). #LSE alum helps #SierraLeone youth find a #WAYout.
  • Charles, Helen (2012). Benefits of the Internet for Musicians and Fans are Under Threat.
  • Flamsholt Jensen, Christine (2012). The business of bling: how Hip Hop makes American music history (guest blog).
  • McDonagh, Luke (2012). Rearranging the roles of the performer and the composer in the music industry – the potential significance of Fisher v Brooker. Intellectual Property Quarterly, 2012(1), 64 - 76.
  • Zaborowski, Rafal (2012). Simple unchanging stories about things we already know’: Japanese youth and popular songs. Participations: Journal of Audience and Reception Studies, 9(2), 383-404.
    • 2011
  • Bramwell, Richard (2011). The aesthetics and ethics of London based rap: a sociology of UK hip-hop and grime [Doctoral thesis]. London School of Economics and Political Science. picture_as_pdf
  • Mbaye, Jenny F. (2011). Reconsidering cultural entrepreneurship: hip hop music economy and social change in Senegal, francophone West Africa [Doctoral thesis]. London School of Economics and Political Science. picture_as_pdf
    • 2010
  • Beckett, Charlie (2010). Getting a Handel on the truth: ‘Alcina’ in Vienna.
  • Brown, Chris (2010). Bob Dylan, Live Aid, and the politics of popular communitarianism. In Brown, Chris (Ed.), Practical Judgement in International Political Theory: Selected Essays . Routledge.
  • Cammaerts, Bart (2010). From vinyl to one/zero and back to scratch: 
independent Belgian micro labels in search of an ever more elusive fan base. (Media@LSE Electronic Working Paper Series 20). Department of Media and Communications, London School of Economics and Political Science.
  • Mbaye, Jenny F. (2010-05-26) Musical entrepreneurs in West Africa? [Poster]. Relating research to reality: interdisciplinary ideas for a changing world. LSE PhD student poster exhibition, London School of Economics and Political Science, London, United Kingdom, GBR.
  • Moran, Danielle (2010). Music, creativity and copyright: Sharkey gig at LSE.
    • 2009
  • Beckett, Charlie (2009). Michael Jackson: media, mourning, music and monstrosity.
  • David-Guillou, Angèle (2009). Early musicians' unions in Britain, France, and the United States: on the possibilities and impossibilities of transnational militant transfers in an international industry. Labour History Review, 74(3), 288-304. https://doi.org/10.1179/096156509X12513818419655
  • Hayhoe, Simon (2009). Blind Boys of Alabama. In Burch, Susan (Ed.), Encyclopedia of American Disability History . Infobase Publishing.
    • 2008
  • Georgiou, Myria (2008). “In the end, Germany will always resort to hot pants”: watching Europe singing, constructing the stereotype. Popular Communication, 6(3), 141 -154. https://doi.org/10.1080/15405700802198188
  • Lomas, Matt (2008). NME: rock music media dinosaur or breakthrough act?
  • McNeill, Fraser G. (2008). ‘We sing about what we cannot talk about’: music as anthropological evidence in Venda, South Africa. In Chau, Liana, High, Casey, Lau, Timm (Eds.), How Do We Know? Evidence, Ethnography, and the Making of Anthropological Knowledge (pp. 36-58). Cambridge Scholars Publishing.
  • McNeill, Fraser G., James, Deborah (2008). Singing songs of AIDS in Venda, South Africa: performance, pollution and ethnomusicology in a ‘neo-liberal’ setting. South African Music Studies, 28, 1-30.
  • Pratt, Andy C. (2008). The music industry and it's potential role in local economic development: the case of Senegal. In Barrowclough, D, Kozul-Wright, Z (Eds.), Creative Industries and Developing Countries: Voice, Choice and Economic Growth (pp. 130-145). Routledge.
    • 2007
  • Beckett, Charlie (2007). Kylie, a museum and music journalism.
  • Beckett, Charlie (2007). Reporting rock and roll fascism.
    • 2006
  • Bakker, Gerben (2006). The making of a music multinational: Polygram's international businesses, 1945-1998. Business History Review, 80(1), 81-123. https://doi.org/10.1017/S0007680500080995
    • 2005
  • Bakker, Gerben (2005). Book review: playback: from the victrola to MP3: 100 years of music, machines and money. Business History, 47(2), p. 324. https://doi.org/10.1080/00076790420003136893a
  • Feigenbaum, Anna (2005). Some guy designed this room I’m standing in: marking gender in press coverage of Ani DiFranco. Popular Music, 24(1), 37-56. https://doi.org/10.1017/S0261143004000285
    • 2004
  • Amoah, Michael (2004). Christian musical worship and 'hostility to the body': the medieval influence versus the Pentecostal revolution. Implicit Religion, 7(1), 59-75. https://doi.org/10.1558/imre.v7i1.59
  • Bakker, Gerben (2004). Book review: quarter notes and bank notes: the economics of music composition in the eighteenth and nineteenth centuries. Economic History Review, 57(4), 796-797. https://doi.org/10.1111/j.1468-0289.2004.00295_23.x
  • Blanes, Ruy Llera (2004). “E nome da interdenominacionalidade: ligações transnacionais e “novas” práticas musicais entre os ciganos evangélicos portugueses". In Machado, José, Pais de Brito, Joaquim, Vieira de Carvalho, Mário (Eds.), Sonoridades Luso-Afro-Brasileiras . Imprensa de Ciências Sociais.
    • 2000
  • Bakker, Gerben (2000). Book review: an international history of the recording industry. Business History, 42(4), 222-223. https://doi.org/10.1080/00076790000000338
    • 1998
  • Roy, Tirthankar (1998). Music as artisan tradition. Contributions to Indian Sociology, 32(1), 21-42. https://doi.org/10.1177/006996679803200102
    • 1994
  • Roy, Tirthankar (1994). A concept of Indian music. Journal of Indian Council of Philosophical Research,
    • 1990
  • James, Deborah (1990). Musical form and social history: research perspectives on black South African music. Radical History Review, (46/47), 309-319. https://doi.org/10.1215/01636545-1990-46-47-309