Items where Subject is "M Music"

Library of Congress subjects (102278) M Music and Books on Music (111) M Music (92)
Number of items at this level: 92.
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  • Zaborowski, Rafal (Ed.) (2016). Audiences and their musics: new approaches [Special issue]. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 8(3).
  • Al-Ghazzi, Omar (2014). The flow and entrapment of Syrian Jazira music. Jadaliyya,
  • Amoah, Michael (2004). Christian musical worship and 'hostility to the body': the medieval influence versus the Pentecostal revolution. Implicit Religion, 7(1), 59-75. https://doi.org/10.1558/imre.v7i1.59
  • Bakker, Gerben (2000). Book review: an international history of the recording industry. Business History, 42(4), 222-223. https://doi.org/10.1080/00076790000000338
  • Bakker, Gerben (2005). Book review: playback: from the victrola to MP3: 100 years of music, machines and money. Business History, 47(2), p. 324. https://doi.org/10.1080/00076790420003136893a
  • Bakker, Gerben (2004). Book review: quarter notes and bank notes: the economics of music composition in the eighteenth and nineteenth centuries. Economic History Review, 57(4), 796-797. https://doi.org/10.1111/j.1468-0289.2004.00295_23.x
  • Bakker, Gerben (2006). The making of a music multinational: Polygram's international businesses, 1945-1998. Business History Review, 80(1), 81-123. https://doi.org/10.1017/S0007680500080995
  • Blanes, Ruy Llera (2004). “E nome da interdenominacionalidade: ligações transnacionais e “novas” práticas musicais entre os ciganos evangélicos portugueses". In Machado, J., Pais de Brito, J. & Vieira de Carvalho, M. (Eds.), Sonoridades Luso-Afro-Brasileiras . Imprensa de Ciências Sociais.
  • Borowiecki, Karol Jan, Kavetsos, Georgios (2015). In fatal pursuit of immortal fame: peer competition and early mortality of music composers. Social Science & Medicine, 134, 30-42. https://doi.org/10.1016/j.socscimed.2015.03.052
  • Brown, Chris (2010). Bob Dylan, Live Aid, and the politics of popular communitarianism. In Brown, C. (Ed.), Practical Judgement in International Political Theory: Selected Essays . Routledge.
  • Clift, Stephen, Skingley, Ann, Page, Sonia, Stephens, Lizzi, Hurley, Sadie, Dickinson, John, Meadows, Steve, Levai, Irisz, Jackson, Anna & Sullivan, Roisin et al (2017). Singing for better breathing: findings from the Lambeth and Southwark singing and COPD project. Sidney De Haan Research Centre for Arts and Health, Canterbury Christ Church University.
  • Feigenbaum, Anna (2005). Some guy designed this room I’m standing in: marking gender in press coverage of Ani DiFranco. Popular Music, 24(1), 37-56. https://doi.org/10.1017/S0261143004000285
  • Hayhoe, Simon (2009). Blind Boys of Alabama. In Burch, S. (Ed.), Encyclopedia of American Disability History . Infobase Publishing.
  • Kolbe, Kristina (2022). Producing (musical) difference: power, practices and inequalities in diversity initiatives in Germany’s classical music sector. Cultural Sociology, 16(2), 231 - 249. https://doi.org/10.1177/17499755211039437
  • McDonagh, Luke (2018). Protecting traditional music under copyright (and choosing not to enforce it. In Bonadio, E. & Lucchi, N. (Eds.), Non conventional copyright: do new and atypical works deserve protection? (pp. 151-173). Edward Elgar. https://doi.org/10.4337/9781786434074
  • McDonagh, Luke (2012). Rearranging the roles of the performer and the composer in the music industry – the potential significance of Fisher v Brooker. Intellectual Property Quarterly, 2012(1), 64 - 76.
  • McNeill, Fraser G. (2008). ‘We sing about what we cannot talk about’: music as anthropological evidence in Venda, South Africa. In Chau, L., High, C. & Lau, T. (Eds.), How Do We Know? Evidence, Ethnography, and the Making of Anthropological Knowledge (pp. 36-58). Cambridge Scholars Publishing.
  • McNeill, Fraser G., James, Deborah (2008). Singing songs of AIDS in Venda, South Africa: performance, pollution and ethnomusicology in a ‘neo-liberal’ setting. South African Music Studies, 28, 1-30.
  • Owusu-Bempah, Abenaa (2023). Scrutinising rap evidence: R v Heslop. Archbold Review, 2, p. 5.
  • Pratt, Andy C. (2008). The music industry and it's potential role in local economic development: the case of Senegal. In Barrowclough, D. & Kozul-Wright, Z. (Eds.), Creative Industries and Developing Countries: Voice, Choice and Economic Growth (pp. 130-145). Routledge.
  • Roy, Tirthankar (1998). Music as artisan tradition. Contributions to Indian Sociology, 32(1), 21-42. https://doi.org/10.1177/006996679803200102
  • Roy, Tirthankar (1994). A concept of Indian music. Journal of Indian Council of Philosophical Research,
  • Zaborowski, Rafal (2016). Hatsune Miku and Japanese virtual idols. In Whiteley, S. & Rambarran, S. (Eds.), The Oxford Handbook of Music and Virtuality . Oxford University Press.
  • Zaborowski, Rafal (2012). Simple unchanging stories about things we already know’: Japanese youth and popular songs. Participations: Journal of Audience and Reception Studies, 9(2), 383-404.
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  • Abu El Foul, Luqman (2025). Rhythms of an uprising: indexing the 2021 Unity Intifada through an analysis of Palestinian rap music. Journal of Palestine Studies, 54(2), 6 - 27. https://doi.org/10.1080/0377919X.2025.2520187 picture_as_pdf
  • Accominotti, Fabien, Khan, Shamus R., Storer, Adam (2018). How cultural capital emerged in Gilded Age America: musical purification and cross-class inclusion at the New York Philharmonic. American Journal of Sociology, 123(6), 1743 - 1783. https://doi.org/10.1086/696938 picture_as_pdf
  • Baker, Catherine (2013). Book review: Studying popular music culture.
  • Baker, Catherine (2017). Eurovision 2017 was remarkable for its lack of politics.
  • Bakker, Gerben (2012). Adopting the rights-based model: music multinationals and local music industries since 1945. (Economic History Working Papers 170/12). Department of Economic History, London School of Economics and Political Science.
  • Beckett, Charlie (2010). Getting a Handel on the truth: ‘Alcina’ in Vienna.
  • Beckett, Charlie (2007). Kylie, a museum and music journalism.
  • Beckett, Charlie (2009). Michael Jackson: media, mourning, music and monstrosity.
  • Beckett, Charlie (2007). Reporting rock and roll fascism.
  • Behr, Adam, Negus, Keith, Street, John (2017). Understanding musical copyright in the digital age.
  • Benneworth, Paul (2013). Book review: Music festivals and regional development inAustralia.
  • Bieleninik, Łucja, Geretsegger, Monika, Mössler, Karin, Assmus, Jörg, Thompson, Grace, Gattino, Gustavo, Elefant, Cochavit, Gottfried, Tali, Igliozzi, Roberta & Muratori, Filippo et al (2017). Effects of improvisational music therapy vs enhanced standard care on symptom severity among children with autism spectrum disorder: the TIME-A randomized clinical trial. JAMA, 318(6), 525-535. https://doi.org/10.1001/jama.2017.9478 picture_as_pdf
  • Book Reviews, LSE (2014). Reading list: 7 must-read books on music festivals and carnival culture.
  • Bramwell, Richard (2011). The aesthetics and ethics of London based rap: a sociology of UK hip-hop and grime [Doctoral thesis]. London School of Economics and Political Science.
  • Broughton Micova, Sally (2016). Why the UK’s creative industries are better off in the EU.
  • Bryant, Lucy (2019-02-25 - 2019-03-02) Policing of live music in England and Wales [Poster]. LSE Research Festival 2019: New World (Dis)Orders, London School of Economics, London, United Kingdom, GBR. picture_as_pdf
  • Bryant, Lucy Elizabeth (2022). Who’s running the show? The regulation of live music in England and Wales [Doctoral thesis]. London School of Economics and Political Science. https://doi.org/10.21953/lse.00004599
  • Bull, Anna (24 March 2015) Book review: El Sistema: orchestrating Venezuela’s youth. LSE Review of Books. picture_as_pdf
  • Cammaerts, Bart (2010). From vinyl to one/zero and back to scratch: 
independent Belgian micro labels in search of an ever more elusive fan base. (Media@LSE Electronic Working Paper Series 20). Department of Media and Communications, London School of Economics and Political Science.
  • Chandler, Michael (2012). #LSE alum helps #SierraLeone youth find a #WAYout.
  • Charles, Helen (2012). Benefits of the Internet for Musicians and Fans are Under Threat.
  • Daniel, Ronda (2016). A week of black feminism and colourism – in pictures.
  • David-Guillou, Angèle (2009). Early musicians' unions in Britain, France, and the United States: on the possibilities and impossibilities of transnational militant transfers in an international industry. Labour History Review, 74(3), 288-304. https://doi.org/10.1179/096156509X12513818419655
  • Daykin, Norma, Mansfield, Louise, Meads, Catherine, Julier, Guy, Tomlinson, Alan, Payne, Annette, Grigsby Duffy, Lily, Lane, Jack, D’Innocenzo, Giorgia & Burnett, Adele et al (2018). What works for wellbeing? A systematic review of wellbeing outcomes for music and singing in adults. Perspectives in Public Health, 138(1), 39-46. https://doi.org/10.1177/1757913917740391
  • Dunin-Wąsowicz, Roch (2017). The Eurovision in Ukraine was an exercise in soft power.
  • Fatsis, Lambros (16 January 2020) Book review: the use and abuse of music: criminal records by Eleanor Peters. LSE Review of Books. picture_as_pdf
  • Flamsholt Jensen, Christine (2012). The business of bling: how Hip Hop makes American music history (guest blog).
  • Garland, Ruth (2013). Strange fascination: image in music and politics Part One.
  • Georgiou, Myria (2008). “In the end, Germany will always resort to hot pants”: watching Europe singing, constructing the stereotype. Popular Communication, 6(3), 141 -154. https://doi.org/10.1080/15405700802198188
  • Gusejnova, Dina (2016). Jazz anxiety and the European fear of cultural change: towards a transnational history of a political emotion. Cultural History, 5(1), 26-50. https://doi.org/10.3366/cult.2016.0108 picture_as_pdf
  • Hasan, Mubashar (2015). Rock ‘n’ Roll, social change and democratisation in Bangladesh.
  • Hensby, Alex (2015). Book review: networks of sound, style and subversion: the punk and post-punk worlds of Manchester, London, Liverpool and Sheffield, 1975–80.
  • James, Deborah (1990). Musical form and social history: research perspectives on black South African music. Radical History Review, (46/47), 309-319. https://doi.org/10.1215/01636545-1990-46-47-309
  • Knott, Ellie (2016). Ukraine’s Eurovision victory brings the plight of Crimean Tatars to a European audience.
  • Kolbe, Kristina (2019). Performing interculture: inequality, diversity and difference in contemporary music production in Berlin [Doctoral thesis]. London School of Economics and Political Science.
  • Kretschmer, Tobias, Peukert, Christian (2014). Video killed the radio star? Online music videos and digital music sales. (CEP Discussion Papers CEPDP1265). London School of Economics and Political Science. Centre for Economic Performance.
  • Lazarus, Suleman (22 November 2023) The endorsement of online fraud in Nigerian music. Africa at LSE. picture_as_pdf
  • Lewis, David, Rodgers, Dennis, Woolcock, Michael (2021). The sounds of development: musical representations as a(nother) source of development knowledge. The Journal of Development Studies, 57(8), 1397 - 1412. https://doi.org/10.1080/00220388.2020.1862800 picture_as_pdf
  • Li, Gordon C. (2020). Distinction in China - the rise of taste in cultural consumption [Doctoral thesis]. London School of Economics and Political Science.
  • Li, Zhongwei (2019). Cut-out: music, profanity, and subcultural politics in 1990s China [Doctoral thesis]. London School of Economics and Political Science.
  • Lomas, Matt (2008). NME: rock music media dinosaur or breakthrough act?
  • Long, Nicholas J. (2019). Who cares about Malay music--and why?: migrant musicality, Christian composition, backlash and boundaries in an Indonesian province made for Malays. In Kartomi, M. J. (Ed.), Performing the arts of Indonesia: Malay identity and politics in the, music, dance and theatre of the Riau Islands (pp. p. 20). NIAS Press. picture_as_pdf
  • Maghazei, Malihe (2014). Trends in contemporary conscious music in Iran. (LSE Middle East Centre paper series 03). London School of Economics and Political Science.
  • Mbaye, Jenny F. (2010-05-26) Musical entrepreneurs in West Africa? [Poster]. Relating research to reality: interdisciplinary ideas for a changing world. LSE PhD student poster exhibition, London School of Economics and Political Science, London, United Kingdom, GBR.
  • Mbaye, Jenny F. (2011). Reconsidering cultural entrepreneurship: hip hop music economy and social change in Senegal, francophone West Africa [Doctoral thesis]. London School of Economics and Political Science.
  • Mgibe, Wezile (7 May 2021) Using art to challenge and share knowledge on African public health. Africa at LSE. picture_as_pdf
  • Moran, Danielle (2010). Music, creativity and copyright: Sharkey gig at LSE.
  • Osiebe, Garhe (6 April 2022) From Nigeria to the world: Afrobeats is having a global moment. Africa at LSE. picture_as_pdf
  • Owusu-Bempah, Abenaa (27 August 2020) Part of art or part of life? Rap lyrics in criminal trials. British Politics and Policy at LSE. picture_as_pdf
  • Owusu-Bempah, Abenaa (2022). Prosecuting rap what does the case law tell us? Popular Music, 41(4), 427 - 445. https://doi.org/10.1017/S0261143022000575 picture_as_pdf
  • Owusu-Bempah, Abenaa (2022). The irrelevance of rap. Criminal Law Review, 2022(2), 130 - 151. picture_as_pdf
  • Patgiri, Rituparna (17 March 2022) Book review: Genre publics: popular music, technologies, and class in Indonesia by Emma Baulch. LSE Review of Books. picture_as_pdf
  • Pemberton, Mark (2018). Orchestral manoeuvres, in the dark: what Brexit means for touring musicians. picture_as_pdf
  • Roberts, Syamala (2017). Book review: the age of noise in Britain: hearing modernity by James G. Mansell.
  • Roy, Tirthankar (2019). Music and society in late colonial India: a study of Esraj in Gaya. Journal of Asian Studies, 79(1), 25-49. https://doi.org/10.1017/S0021911819000123 picture_as_pdf
  • Singeisen, David (2014). Book review: sing the rage: listening to anger after mass violence by Sonali Chakravarti.
  • Umney, Charles (2016). Musicians are exploited on the London and Paris jazz scenes.
  • Umney, Charles (2016). New online live music agencies have oversized power over musicians.
  • Velander, Marielle (2015). Throw your heart out into the world: a tribute concert to Pakistani human rights activist Sabeen Mahmud.
  • Wade, Robert Hunter (2023). Conversations with Gyorgy Ligeti. Challenge, https://doi.org/10.1080/05775132.2023.2225324 picture_as_pdf
  • Warwick, Ben, Houghton, Ruth (13 November 2013) Age restrictions on music videos – sexism solved? Engenderings. picture_as_pdf
  • Withers, Polly (2024). Mediating queer masculinities through alternative music from Palestine. Feminist Media Studies, https://doi.org/10.1080/14680777.2024.2338414 picture_as_pdf
  • Withers, Polly (2021). Ramallah ravers and Haifa hipsters: gender, class, and nation in Palestinian popular culture. British Journal of Middle Eastern Studies, 48(1), 94 - 113. https://doi.org/10.1080/13530194.2021.1885852 picture_as_pdf
  • Zaborowski, Rafal (2016). Hello from the other side of music video regulation.
  • Zaborowski, Rafal (2015). Audible audiences: engaging with music in Japan [Doctoral thesis]. London School of Economics and Political Science.
  • Zaborowski, Rafal (2016). ‘Explode all our metaphors’ – on the potential of sound in media and audience studies. An interview with Martin Barker. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9(2).
  • Zaborowski, Rafal (2016). Introduction: new approaches to audiences and their musics. Networking Knowledge: Journal of the MeCCSA Postgraduate Network, 9(2).
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  • Withers, Polly (2023). Feminism ruptured, or feminism repaired? Music, feminisms, and gender politics in Palestinian subcultures. In Skalli, L. & Eltantawy, N. (Eds.), The Palgrave Handbook on Gender and Communication in the Middle East and North Africa (pp. 427–445). Palgrave Macmillan. https://doi.org/10.1007/978-3-031-11980-4_24 [In Press] picture_as_pdf