The irrelevance of rap

This article explores the question of whether (and when) rap music is relevant evidence of a crime, and how this has been assessed by the courts in England and Wales. Particular consideration is given to the courts’ assessment of factors which can affect the probative value of rap, as well as the way in which one’s views and experiences may inform determinations of relevance. It is argued that, if rap is to be admissible evidence, a more rigorous approach is required.