Sunk costs and the dynamics of creative industries

Bakker, G.ORCID logo (2015). Sunk costs and the dynamics of creative industries. In Jones, C., Lorenzen, M. & Sapsed, J. (Eds.), The Oxford Handbook of Creative Industries (pp. 351-386). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780199603510.013.021
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This chapter examines the evolution of modern entertainment industries. It reviews ways to conceptualize and quantify the subsequent waves of creative destruction and investigates how sunk costs affected the industry’s evolution through its interaction with variety, market integration, product differentiation and price discrimination. Four tendencies shaped the entertainment industries’ evolution: first, endogenous sunk costs often led to a competitive escalation of production expenditures—‘quality races’—which increased industrial concentration. Second, marginal revenues largely equalled marginal profits, which led to extreme vertical integration through ownership or revenue-sharing contracts, an oversupply of variety, and a dual market structure with high-concept blockbuster products and low-budget niche products. Third, entertainment’s toll good characteristics led to business models optimizing exclusion possibilities in the value chain and to substantial income inequality among creative inputs. Finally, the project-based character of entertainment production implied large within- and between-industry agglomeration benefits and often led to geographical concentration. Dynamic product differentiation allowed various old formats to survive the waves of creative destruction, albeit in much smaller incarnations.

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