Items where Subject is "NX Arts in general"

Library of Congress subjects (102130) N Fine Arts (482) NX Arts in general (134)
Number of items at this level: 134.
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  • Atkinson, Anthony, Fedorov, V. V (2001). Some history leading to design criteria for Bayesian prediction. In Atkinson, Anthony, Bogacka, Barbara, Zhigljavsky, Anatoly. A (Eds.), Optimum Design 2000 (pp. 3-14). Kluwer Academic Publishers.
  • Bakhshi, Hasan, Lee, Neil, Mateos-Garcia, Juan (2013). Capital of culture? An econometric analysis of the relationship between arts and cultural clusters, wages and the creative economy in English cities. In Rushton, Michael (Ed.), Creative Communities: Art Works in Economic Development (pp. 190-216). Brookings Institution. Press.
  • Banaji, Shakuntala (2013). Hindi film audiences outside South Asia. In Gokulsing, K., Dissanayake, Wimal (Eds.), Routledge Handbook of Indian Cinemas (pp. 391-401). Routledge.
  • Bandle, Anne Laure (2024). The sale of misattributed artworks and antiques at auction. Edward Elgar. https://doi.org/10.4337/9781035302680
  • Bear, Laura, Carolin, Clare, Pollock, Griselda, Sidén, Ann Sofi, Haynes, Cathy (2008). The politics of display: Ann-Sofisidén's warte MAl!, art history and social documentary. In Macdonald, Sharon, Basu, Paul (Eds.), Exhibition Experiments (pp. 154-174). Wiley-Blackwell.
  • Berry, Marie E., Lake, Milli (2025). Art as an antidote to violence. Security Dialogue, 56(6), 651 - 667. https://doi.org/10.1177/09670106251380056
  • Best, Katie (2010-09-15 - 2010-09-17) Interaction and interpretation: reconsidering the work of tour guides in museums and galleries [Other]. British Academy of Management Conference, Brighton, United Kingdom, GBR.
  • Beunza, Daniel (2006). New artistic engagements with the capital markets. Economic Sociology, 7(3), 29-33.
  • Blackmore, Kara A. (2025). Seeking safety: identifying protection gaps for artists in South Sudan. Global Policy, 16(1), 126 - 137. https://doi.org/10.1111/1758-5899.13500
  • Bénéï, Véronique (2008). 'Globalization' and regional(ist) cinema in Western India: public culture, private media, and the reproduction of a Hindu national(ist) hero, 1930s-2000s. South Asian Popular Culture, 6(2), 83-108. https://doi.org/10.1080/14746680802365204
  • Chari, Sharad (2004). F 9/11, a view from South Africa. Environment and Planning D: Society and Space, 22(6), 907-910. https://doi.org/10.1068/d2206a
  • Chinkin, Christine (2003). The language of human rights law. In Turner, Caroline, Sever, Nancy (Eds.), Witnessing to Silence: Art and Human Rights (pp. 13-16). Australian National University.
  • Clark, Michael (2013-05-13) Making the case - the value of art in social care [Other]. Ikon Gallery & John Taylor Hospice Symposium: Art & the end of life: a conversation, London, United Kingdom, GBR.
  • Coleman, Janet (2003). Images of the city and its citizens in late Antiquity and the Renaissance. In Gosman, M., Martels, Von, Schmidt, Victor Michael (Eds.), Antiquity Renewed: Late Classical and Early Modern Themes (pp. 35-62). Peeters.
  • Feuchtwang, Stephan (2011). Exhibition and awe: regimes of visibility in the presentation of an emperor. Journal of Material Culture, 16(1), 64-79. https://doi.org/10.1177/1359183510394942
  • Hayhoe, Simon (2002-09-01) Experience of children with visual impairments in visual arts education [Paper]. International Conference on the Politics of Childhood, Hull, United Kingdom, GBR.
  • Hayhoe, Simon (2006-02-18) How Locke, Molyneaux and the Enlightenment affected the way we think about the arts and perceptual disabilities, and what is the way forward? [Paper]. Cinema Without Barriers: The fifth sense: sensorial perceptions between art and vision, Milan, Italy, ITA.
  • Hayhoe, Simon (2009). National exhibits by blind artists. In Burch, Susan (Ed.), Encyclopedia of American Disability History . Infobase Publishing.
  • Hayhoe, Simon (2005). An examination of social and cultural factors affecting art education in English schools for the blind [Doctoral thesis]. University of Birmingham.
  • Hayhoe, Simon (2005-01-01) The four senses project [Paper]. The Four Senses Exhibition, London, United Kingdom, GBR.
  • Jones, Gareth A. (2011). Slumming about: aesthetics, art and politics. City: Analysis of Urban Trends, Culture, Theory, Policy, Action, 15(6), 696-706. https://doi.org/10.1080/13604813.2011.609017
  • Lee, Neil (2009). The creative industries as a "distinctiveness strategy". In Eckardt, Frank, Nyström, Louisa (Eds.), Culture and the City . BWV Berliner Wissenschafts-Verlag.
  • Mariátegui, José-Carlos (2003). Creadores y nuevas tecnologías: una breve historia del arte electrónico en América Latina. Telos: Cuadernos de Comunicación, Tecnología y Sociedad, (56),
  • Mariátegui, José-Carlos (2011). El aparato dialéctico: entre los soportes electrónicos y la expansión eletrónica del arte. In Jiménez, José (Ed.), Una Teoría Del Arte Desde América Latina . Turner.
  • Mariátegui, José-Carlos (2008). Emergentes: itinerancia Argentina, Brasil, Chile, Colombia, México, Perú. Espacio Fundación Telefónica (Buenos Aires, Argentina).
  • Mariátegui, José-Carlos (2003). On living/lighting machines: an interpretation of two installations from Rosa Barba. In Rosa Barba: Off Sites / Sets . Walther König.
  • Mariátegui, José-Carlos (2002). Peruvian video/electronic art. Leonardo, 35(4), 355-363.
  • Mariátegui, José-Carlos (2012). VIDA new discourses, tropes and modes in art and artificial life research. In Tenhaaf, N., Bello Bugallo, M. (Eds.), 17th International Symposium on Electronic Art: Proceedings . ISEA.
  • Mariátegui, José-Carlos, Cubitt, Sean, Nadarajan, Gunalan (2009). Social formations of global media art. Third Text, 23(3), 217-228. https://doi.org/10.1080/09528820902954853
  • McDaid, David, Park, A-La (2017). Making an economic case for investment in art for promoting better health and wellbeing. In Stickley, Theo, Clift, Stepehen (Eds.), Arts, Health and Wellbeing: A Theoretical Inquiry for Practice (pp. 203-218). Cambridge Scholars Publishing.
  • Pardo-Guerra, Juan Pablo (2013). Priceless calculations: reappraising the sociotechnical appendages of art. European Societies, 15(2), 196-211. https://doi.org/10.1080/14616696.2013.767926
  • Pratt, Andy C. (2004). Creative clusters: towards the governance of the creative industries production system? Media International Australia, (112), 50-66.
  • Soja, Edward W. (2006). Foreword: cityscapes as cityspaces. In Lindner, Christoph (Ed.), Urban Space and Cityscapes (pp. xv-wviii). Routledge.
  • Stramignoni, Igor (2011). Seizing truths: art, politics, law. In Ben-Dor, Oren (Ed.), Law and Art: Justice, Ethics and Aesthetics (pp. 73-92). Routledge.
  • Ypi, Lea (2012). Public spaces and the end of art. Philosophy and Social Criticism, 38(8), 843-860. https://doi.org/10.1177/0191453712453286
    • Public
  • Alba, Silvia (2015). A scribe’s-eye view of #Polis2015.
  • Ashraf, Lubna (2013). LSE arts: the world, so rich.
  • Aulich, Jim (2014). Book review: antipolitics in Central European art by Klara Kemp-Welch.
  • Bailey, Kate (2015). Book review: ornament and order: graffiti, street art and the parergon by Rafael Schacter.
  • Beccatti, Matilde (2012). Aristotle good, Churchill better, Blair best? The art and history of speech-making (guest-blog).
  • Beckett, Charlie (2008). Can news do the arts?
  • Beckett, Charlie (2008). John Tusa: BBC arts coverage is bizarre.
  • Beckett, Charlie (2016). No effort required: how technology should foster creativity.
  • Beckett, Charlie (2014). Polis photography project: “texture”.
  • Beckett, Charlie (2009). The Turner Prize and modern art: but is it journalism?
  • Beckett, Charlie (2012). When news was illuminated: media innovation in the manuscript era.
  • Bingham-Hall, John, Kaasa, Adam (2017). Making cultural infrastructure: can we design the conditions for culture? Theatrum Mundi.
  • Broughton Micova, Sally (2016). Why the UK’s creative industries are better off in the EU.
  • Callahan, William A. (2014). Citizen Ai: warrior, jester, and middleman. Journal of Asian Studies, 73(04), 899-920. https://doi.org/10.1017/S0021911814001004
  • Cammaerts, Bart (2016). A recipe for a right-wing assault on public service media?
  • Cheliotis, Leonidas (2014). Decorative justice: deconstructing the relationship between the arts and imprisonment. International Journal for Crime, Justice and Social Democracy, 3(1), 16-34.
  • Cloonan, Becky, Fletcher, Brenden, Kerschl, Karl, Werdine Norris, Maria (2015). Comics and human rights: an interview with the Gotham Academy team.
  • Cocca, Carolyn (2015). Comics and human rights: Wonder Woman and the trickiness of superheroines.
  • Cocca, Carolyn (2015). Comics and human rights: oracle and representations of disability in superhero comics.
  • Cocca, Carolyn (2015). Comics and human rights: the erasure of X-Women in days of future past.
  • Crompton, Andrew (2016). The Tate Modern multi-faith room: where sacred space and art space converge and merge.
  • Cross, Samantha (2015). Comics and human rights: something more. Saga and representation in comics.
  • Cunningham, Malaika (2014). From STEM to STEAM: The potential for arts to facilitate innovation, literacy and participatory democracy.
  • Dakessian, Arek (2014). Book review: uncommon grounds: new media and critical practices in North Africa and the Middle East, edited by Anthony Downey.
  • Dasgupta, Rohit K., Bakshi, Kaustav (2023). Queer creative Indian city: queer film festivals, precarious cultural work and community making in Kolkata. Cultural Trends, 32(4), 348-365. https://doi.org/10.1080/09548963.2023.2212607 picture_as_pdf
  • Dasgupta, Rohit K., Mahn, Churnjeet (2023). Between visibility and elsewhere: South Asian queer creative cultures and resistance. South Asian Diaspora, 15(1), 1-16. https://doi.org/10.1080/19438192.2022.2164429 picture_as_pdf
  • Deconnick, Kelly Sue, Werdine Norris, Maria (2015). Comics and human rights: an interview with Kelly Sue Deconnick.
  • Devine, Amy (2015). Comics and human rights: Bitch Planet: yes, all women.
  • Donnellan, Caroline (2013). Establishing Tate Modern: vision and patronage [Doctoral thesis]. London School of Economics and Political Science. picture_as_pdf
  • Díaz Pérez, Cristina (28 May 2020) Book review: the passion projects: modernist women, intimate archives, unfinished lives by melanie micir. LSE Review of Books. picture_as_pdf
  • Earl, Lexi (2018). Book review: feeling things: objects and emotions through history edited by Stephanie Downes, Sally Holloway and Sarah Randles.
  • Ertug, Gokhan, Yogev, Tamar, Lee, Yonghoon, Hedström, Peter (2016). A good professional reputation is in the eye of the beholder.
  • Farrar, Laura (2008). Arts criticism in crisis? A Polis special report and event.
  • Feuerborn, MJ (2015). Comics and human rights: thinking about us – queer inclusion in comics.
  • Fireman, Ken (2016). The art, and the deal, go global.
  • Garland, Ruth (2013). Strange fascination: image in music and politics Part One.
  • Ghosh, Arundhati (2013). Arts funding in India: hard times require furious dancing.
  • Glăveanu, Vlad Petre (2012). Creativity and culture: towards a cultural psychology of creativity in folk art [Doctoral thesis]. London School of Economics and Political Science. picture_as_pdf
  • Guesmi, Haythem (21 August 2020) Book review: solvent form: art and destruction by Jared Pappas-Kelley. LSE Review of Books. picture_as_pdf
  • Hanspal, Vrajesh (2012). Markets and mediators: politics and primary art markets in Montréal [Doctoral thesis]. London School of Economics and Political Science. picture_as_pdf
  • Hayhoe, Simon (2015-06-28 - 2015-06-30) An enquiry into passive inclusion and unreachable artworks at the Metropolitan Museum of Art, New York: three case studies of verbal imaging teachers describing artworks in galleries and classrooms [Other]. Blind Creations conference, Egham, United Kingdom, GBR.
  • Hayhoe, Simon (2013). The philosophical, political and religious roots of touch exhibitions in 20th century British museums. Disability Studies Quarterly, 33(3).
  • Haynes, Suyin (2016). What links Kim Kardashian to the Victorians?
  • Hölsgens, Sander (2017). Book review: anthropology of the arts edited by Gretchen Bakke and Marina Peterson.
  • Hölsgens, Sander (2015). Book review: the Ashgate research companion to media geography by Paul C. Adams et al.
  • Jordan, Jennie, Dasgupta, Rohit K., Hitchen, Graham (2023). Mapping innovation in India’s creative industries: an ecosystem framework. Cultural Trends, 32(4), 416-428. https://doi.org/10.1080/09548963.2023.2217416 picture_as_pdf
  • Kawalek, Jessica Charlotte, Gobet, Fernand (2022). Expertise in contemporary dance: the roles of cognition, talent, and deliberate practice. Journal of Dance Education, https://doi.org/10.1080/15290824.2021.1988089 picture_as_pdf
  • Kitsos, Tasos, Nathan, Max, Gutierrez-Posada, Diana (2025). Don't shoot the pianist: creative firms, workers, and neighborhood gentrification. Economic Geography, 101(1), 60 - 85. https://doi.org/10.1080/00130095.2025.2470721 picture_as_pdf
  • LeBas, Sam, Brooker, Will (2015). Comics and human rights: a change is gonna come. Women in the superhero genre.
  • Lesage, Frederik (2008). Making exceptions: media art and everyday life. (EDS Innovation Research Programme 11). London School of Economics and Political Science. Centre for Economic Performance.
  • Lesage, Frederik (2009). Networks for art work: an analysis of artistic creative engagements with new media standards [Doctoral thesis]. London School of Economics and Political Science. picture_as_pdf
  • Lewis, Joanna (2013). Scholars explore #Livingstone’s legacy and memory in conference to mark his bicentenary.
  • Liu, Felicia H. M., Varkkey, Helena, Smith, Thomas E. L., Reynolds, Peter, Pusingha, Pattrawut, Li, Haoying, Bungar, Simran (2025). Artivism for cleaner air? An exploration of the artistic representation of “haze” in Southeast Asia. Environmental Communication, https://doi.org/10.1080/17524032.2025.2544561 picture_as_pdf
  • Longden, Vanessa (2017). Book review: the militant muse: love, war and the women of surrealism by Whitney Chadwick.
  • Macdonald, Alison (2016). Book review: Rituparno Ghosh: cinema, gender and art edited by Sangeeta Datta, Kaustav Bakshi & Rohit K. Dasgupta.
  • Makar, Johannes (2017). Book review: surrealism in Egypt: modernism and the art and liberty group by Sam Bardaouil.
  • Mathew, Donna (2014). Branding ‘London’ as a city for creative voices.
  • Maxwell, Hailey (2015). Book review: Moroccan fashion: design, culture and tradition.
  • Maxwell, Hailey (2014). Book review: re-collection: art, new media and social memory by Richard Rinehart and Jon Ippolito.
  • May, Christopher (2016). Book review: the international politics of fashion: being fab in a dangerous world by Andreas Behnke.
  • Mbaye, Jenny F. (2012). Conference report: African creative Economy – A new priority for the continent.
  • Medha (2015). Book review: caricaturing culture in India: cartoons and history in the modern world.
  • Montserrat, Jade (2013). Book review: Renegotiating the body: feminist art in 1970sLondon.
  • Nassar, Aya, Madbouly, Mayada, Ezzat, Azza, Abazeed, Abeer, Abdelrahman Soliman, Nayera, Agha, Menna, El Khachab, Chihab, Elwakil, Amira, Mourad, Laila, Taha, Mai (2023). Objects, memories, and storytelling: experiments in narrating ideas of home. City, 27(5-6), 1030 - 1051. https://doi.org/10.1080/13604813.2023.2254166 picture_as_pdf
  • Nelson, Kim (2015). Provocative, honest, fierce: a review of Ai Weiwei’s London exhibition.
  • Nicholson, Cathy, Awad, Sarah H. (2024). The power of the image: the role of social representations. Papers on Social Representations, 33(1), 1 - 8. picture_as_pdf
  • Nuti, Alasia (2012). Book Review: Kristeva Reframed.
  • O'Branski, Megan (2013). Book review: In the beginning, she was.
  • O'Brien, Dave (2011). Book review: good and plenty: the creative success of American arts funding.
  • O'Reilly, Carole (2015). Book review: Thomas Fitzpatrick and the Lepracaun Monthly 1905-1915.
  • Overman, Henry G. (2011). Margate and the Turner Contemporary.
  • PSSRU, Organising Team (2017). Autism through an Arts Lens: Comments on PSSRU’s LSE Literary Festival Session.
  • Pendle, Naomi, Akoi, Abraham Diing (2025). Music and the politics of famine: everyday discourses and shame for suffering. Disasters, 49(1). https://doi.org/10.1111/disa.12662 picture_as_pdf
  • Phillips, Jacob (2013). Book review: Bakhtin Reframed.
  • Priego-Hernandez, Jacqueline (21 February 2015) Book review:: art, culture and international development: humanizing social transformation by John Clammer. LSE Review of Books. picture_as_pdf
  • Ramaswamy, Sumathi, Campion, Sonali (2016). “We need to think beyond images as a reflection of history, and instead consider how they constitute it” – Sumathi Ramaswamy.
  • Rees, Emma (2012). What has art got to do with sport? (guest blog).
  • Reyer, Bob (2015). Comics and human rights: taking the long way. The super-heroine’s struggle for respect.
  • Righi, Céline (2010-05-26) Art and representation in post-war Lebanon: what can art do in the context of a shifting society? [Poster]. Relating research to reality: interdisciplinary ideas for a changing world. LSE PhD student poster exhibition, London School of Economics and Political Science, London, United Kingdom, GBR.
  • Roach, Trevor (2015). Book review: artwash: Big Oil and the arts.
  • Sharman, Joshua (2017). Book review: Foucault on the arts and letters: perspectives for the twentyfirst century edited by Catherine M. Soussloff.
  • Sheng Yap, Lay (2016). The politics of Ai Weiwei.
  • Sloane, Mona (2016). Inequality by design? Why we need to start talking about aesthetics, design and politics.
  • Sloane, Mona (2017). The materiality of research: dealing with ‘stuff’ in design: thoughts on materiality in design research by Mona Sloane.
  • Sneddon, Laura (2015). Comics and human rights: the forgotten women of comics.
  • Stock, Paul (2025). Sarah Lethieullier’s dolls’ house at the Huguenot Museum. Criticks Reviews, picture_as_pdf
  • Upton-Hansen, Christopher (2018). The financialization of art: a sociological encounter [Doctoral thesis]. London School of Economics and Political Science.
  • Velander, Marielle (2015). Throw your heart out into the world: a tribute concert to Pakistani human rights activist Sabeen Mahmud.
  • Warren, Michael (2016). Book review: Central Asia in art: from Soviet Orientalism to the new republics by Aliya Abykayeva-Tiesenhausen.
  • Webster, Peter (2018). Book review: cultural heritage infrastructures in digital humanities edited by Agiatis Benardou, Erik Champion, Costis Dallas and Lorna M. Hughes.
  • Werdine Norris, Maria (2015). Comics and human rights: Kamala Khan and the narrative of terror.
  • Werdine Norris, Maria (2015). Comics, human rights and representation: an introduction.
  • Weszkalnys, Gisa, Zećo, Maja, Grant, Rachel, Otchere-Darko, William (2024). Living with energy transition: soundwalks in words. picture_as_pdf
  • Wilson, G. Willow, Werdine Norris, Maria (2015). Comics and human rights: an interview with G. Willow Wilson.
  • Wood, Lucy (2016). Hoardings around Hackney: sociology, art and barriers.
  • Wood, Mara (2015). Comics and human rights: the importance of representation in comics. A social psychology perspective.
  • [Unknown], CG (2015). Comics and human rights: visibility and the black nerd girl.
  • de-Graft Aikins, Ama, Sanuade, Olutobi, Agyei, Francis, Bewong, Rita Fatric, Akoi-Jackson, Bernard (2024). Applying arts to health interventions and health research in Ghana: a scoping review. Arts and Health, https://doi.org/10.1080/17533015.2024.2421430 picture_as_pdf
  • van der Merwe, Emily (2018). Nigeria: "education and innovation for poverty alleviation" - but don't forget the arts. picture_as_pdf