Nwonka, Clive James

Number of items: 10.
2022
  • Nwonka, Clive James (2022). The black neoliberal aesthetic. European Journal of Cultural Studies, 25(3), 843 - 862. https://doi.org/10.1177/1367549420973204
    • 2021
  • Nwonka, Clive James (2021). White women, white men, and intra-racial diversity: a data-led analysis of gender representation in the UK film industry. Cultural Sociology, 15(3), 430 - 454. https://doi.org/10.1177/1749975520974565
  • Nwonka, Clive James (2021). Policing black film: racism, black resistance and the applicational dexterity of race relations in Babylon. Sociology, 55(4), 840 - 862. https://doi.org/10.1177/0038038520985793
  • Nwonka, Clive James (26 February 2021) Introducing The politics of race in American film: a new podcast from the LSE US Centre featuring Dr Clive James Nwonka. USApp – American Politics and Policy Blog. picture_as_pdf
    • 2020
  • Nwonka, Clive James, Gilson, Chris (28 December 2020) Coming soon: the politics of race in American film podcast with Dr. Clive James Nwonka. USApp – American Politics and Policy Blog. picture_as_pdf
  • Nwonka, Clive James (2020). Diversity and data: an ontology of race and ethnicity in the British Film Institute’s diversity standards. Media, Culture & Society, https://doi.org/10.1177/0163443720960926
  • Nwonka, Clive James (2020). Race and ethnicity in the UK film industry: an analysis of the BFI diversity standards. London School of Economics and Political Science. picture_as_pdf
  • Nwonka, Clive James (8 June 2020) The protests over George Floyd’s death show how film and culture can be tools of anti-racism, but we must continue to value them beyond this moment. USApp – American Politics and Policy Blog. picture_as_pdf
    • 2018
  • Nwonka, Clive James, Malik, Sarita (2018). Cultural discourses and practices of institutionalised diversity in the UK film sector: ‘Just get something black made’. The Sociological Review, 66(6), 1111-1127. https://doi.org/10.1177/0038026118774183
    • 2017
  • Malik, Sarita, Nwonka, Clive James (2017). Top boy: cultural verisimilitude and the allure of Black criminality for UK public service broadcasting drama. Journal of British Cinema and Television, 14(4), 423-444. https://doi.org/10.3366/jbctv.2017.0387 picture_as_pdf