Sobolev, Olga

Number of items: 36.
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  • Sobolev, Olga (2025). Landmarks (Vekhi): the Russian intelligentsia at a crossroads. In Forrester, S. & Partan, O. (Eds.), The Russian Intelligentsia: Myth, Mission, and Metamorphosis . Academic Studies Press.
  • Milner-Gulland, Robin, Sobolev, Olga (2024). Fifty shades of black: an analysis of Был черный небосвод светлей тех ног … in conjunction with its English translation. In Andrew, J., Hodgson, K., Reid, R. & Smith, A. (Eds.), Joseph Brodsky and Modern Russian Culture (pp. 362 - 374). Brill Nijhoff (Firm). https://doi.org/10.1163/9789004708013_017
  • Sobolev, Olga (2024). A Room and a Half and the art of poetic cinema. In Andrew, J., Hodgson, K., Reid, R. & Smith, A. (Eds.), Joseph Brodsky and Modern Russian Culture (pp. 306 - 330). Brill Nijhoff (Firm). https://doi.org/10.1163/9789004708013_015
  • Smith, Alexandra, Sobolev, Olga (2023). Introduction: On the text-film relationship: the question of APT and INAPT adaptations. In Smith, A. & Sobolev, O. (Eds.), Film Adaptations of Russian Classics: Dialogism and Authorship (pp. 1 - 28). Edinburgh University Press.
  • Sobolev, Olga (2023). War and Peace: a new visual dimension. In Smith, A. & Sobolev, O. (Eds.), Film Adaptations of Russian Classics: Dialogism and Authorship . Edinburgh University Press.
  • Sobolev, Olga (2023). Alfred, Lord Tennyson and an imperial Russian gift. In Hardiman, L. (Ed.), Courtly Gifts and Cultural Diplomacy: Art, Material Culture, and British-Russian Relations (pp. 161 – 192). Brill | Schöningh. https://doi.org/10.30965/9783657793761_008
  • Smith, Alexandra, Sobolev, Olga (Eds.) (2023). Film adaptations of Russian classics: dialogism and authorship. Edinburgh University Press.
  • Sobolev, Olga (2023). Tolstoi’s Resurrection on the Russian stage. In Reid, R. & Andrew, J. (Eds.), Tolstoi: Art and Influence: Art and Influence (pp. 148 – 160). Brill Academic Publishers. https://doi.org/10.1163/9789004533431_009
  • Sobolev, Olga (2022). The Firebird and the Fox Russian Culture under Tsars and Bolsheviks by Jeffrey Brooks (review). Slavonic and East European Review, 100(1), 181-183. https://doi.org/10.1353/see.2022.0006
  • Milner-Gulland, Robin, Sobolev, Olga (2021). What is music? What does it do? In Tolstoi and the Evolution of His Artistic World (pp. 265 – 286). Brill Academic Publishers. https://doi.org/10.1163/9789004465633_014
  • Soboleva, Olga, Wrenn, Angus (2017). From Orientalism to cultural capital: the myth of Russia in British literature of the 1920s. Verlag Peter Lang.
  • Sobolev, Olga (2016). Poetry and psychiatry: essays on early twentieth century Russian symbolist culture by Magnus Ljunggren, Charles Rougle. Modern Language Review, 111(2), 603-604.
  • Milner-Gulland, Robin, Sobolev, Olga (2016). Стихотворение Хармса «на смерть Казимира Малевича» = The poem of Daniil Kharms “on the death of Kazimir Malevich”. Voprosy Literatury, (4), 34-62.
  • Sobolev, Olga (2014). Of pulp fiction and James Bond.
  • Sobolev, Olga (2012). Boris Akunin.
  • Milner-Gulland, Robin, Sobolev, Olga (2012). 'Excellent material, I see': what happens in Bobok? In Reid, R. & Joe, A. (Eds.), Aspects of Dostoevskii: Art, Ethics and Faith (pp. 135-148). Rodopi.
  • Sobolev, Olga (2012). Images are created to be destroyed (photography and painting in the idiot). In Reid, R. & Joe, A. (Eds.), Aspects of Dostoevskii: Art, Ethics and Faith (pp. 101-114). Rodopi.
  • Sobolev, Olga, Wrenn, Angus (2012). The only hope of the world: George Bernard Shaw and Russia. Verlag Peter Lang.
  • Sobolev, Olga (2011). Book review: Tatlin's tower: monument to revolution - by Norbert Lynton. Slavonic and East European Review, 89(2), 338-339.
  • Sobolev, Olga (2011). Book review: Moscow and St Petersburg in Russia's silver age, 1900-1920 - by John E. Bowlt. Slavonic and East European Review, 89(1), 118-120.
  • Sobolev, Olga, Saiadian, Pogos (2010). Ivan Sergeev, fathers and sons: the phenomenon of the Nouveau-Russian novel. In Reid, R. & Andrew, J. (Eds.), Turgenev: Art, Ideology and Legacy (pp. 329-343). Rodopi.
  • Sobolev, Olga (2008). The silver mask: harlequinade in the symbolist poetry of Blok and Belyi. Verlag Peter Lang.
  • Sobolev, Olga (2006). Book review: Timothy Langen, "the stony dance: unity and gesture in Andrey Bely’s Petersburg". New Zealand Slavonic Journal, 40, p. 236.
  • Soblev, Olga (2006). Chekhov and Dovlatov: the art of a storyteller. Essays in Poetics, 31, 305-318.
  • Sobolev, Olga (2005). Chekhov’s plays on the Russian screen. Essays in Poetics, 30, 200-213.
  • Sobolev, Olga (2005). Translating and mistranslating Chekhov. Essays in Poetics, 30,
  • Sobolev, Olga (2004). Book review: Bart, Solomon: Sobranie Stikhotvorenii. Slavonic and East European Review, 82(1), 95-97.
  • Sobolev, Olga (2004). Boris Akunin and the rise of Russian detective genre. Australian Slavonic and East European Studies, 18(1-2), 63-85.
  • Sobolev, Olga, Milner-Gulland, Robin (2003). "Winter Road": an analysis. In Reid, R. & Andrew, J. (Eds.), Two Hundred Years of Pushkin, Volume Iii: Pushkin's Legacy (pp. 125-140). Rodopi.
  • Sobolev, Olga (2002). On the sound structure of "Bacchanalia" by A. Belyi. Slavonica, 8(1), 20-41.
  • Sobolev, Olga (2000). Masks, harlequins and otherness: a study of imagery system of Belyi and Blok. Essays in Poetics, 25, 97-121.
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  • Soboleva, Olga, Wrenn, Angus (2017). Introduction. In From Orientalism to Cultural Capital: The Myth of Russia in British Literature of the 1920s (pp. 1 - 15). Verlag Peter Lang. https://doi.org/10.3726/b11211
  • Soboleva, Olga (2017). The east wind of Russiannness. In Soboleva, O. & Wrenn, A. (Eds.), From Orientalism to Cultural Capital: The Myth of Russia in British Literature of the 1920s (pp. 17 - 64). Verlag Peter Lang. https://doi.org/10.3726/b11211
  • Sobolev, Olga (2017). The symbol of the symbolists: Aleksandr Blok in the changing Russian literary canon. In Hodgson, K., Shelton, J. & Smith, A. (Eds.), Twentieth-Century Russian Poetry: Reinventing the Canon (pp. 123-155). Open Book Publishers.
  • Sobolev, Olga (2016). The reception of Alfred Tennyson in Russia. In Ormond, L. (Ed.), The Reception of Alfred Tennyson in Europe (pp. 233-267). Bloomsbury Academic.
  • Sobolev, Olga (2016). J M Barrie and the ballets russes. International Journal of Comparative Literature and Translation Studies, 4(1), 17-22. https://doi.org/10.7575/aiac.ijclts.v.4n.1p.23