Number of items: 26.
Chapter
Deconstructing the American family. Figures of parents with dementia in Jonathan Franzen’s The Corrections and A.M. Homes’ May We Be Forgiven. (2015)
Wearing, Sadie
Exemplary or exceptional embodiment?: discourses of aging in the case of Helen Mirren and 'Calendar girls'.
Wearing, Sadie
Frames of dementia, grieving otherwise in The Father, Relic and Supernova:representing dementia in recent film.
Wearing, Sadie
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Moms Mabley and Whoopi Goldberg: age, comedy and celebrity.
Wearing, Sadie
Notes on some scandals: the politics of shame in 'Vers le sud’.
Wearing, Sadie
Representing agency and coercion: feminist readings and postfeminist media fictions.
Wearing, Sadie
Subjects of rejuvenation: aging in postfeminist culture.
Wearing, Sadie
Conference or Workshop Item
Acting their age?
Wearing, Sadie
Adapting age: representing generations in Iris.
Wearing, Sadie
Age and sexuality in celebrity culture: the case of Helen Mirren (57).
Wearing, Sadie
Age, shame and grumpiness: analysis, representation and affect.
Wearing, Sadie
Agency and coercion: feminist readings of postfeminist representations.
Wearing, Sadie
Conceptualisations of silence in feminist theory.
Wearing, Sadie
Deconstructing the American family: figures of parents with dementia in AM Homes’ May we be forgiven and Jonathan Franzen’s The corrections.
Wearing, Sadie
Narratives of decline and degeneration?: representing the aging body.
Wearing, Sadie
Nationalised embodiments: performing age and celebrity.
Wearing, Sadie
Notes on some scandals: shame and transgenerational sex in recent cinema.
Wearing, Sadie
Postfeminist time and age.
Wearing, Sadie
Presenting Moms Mabley, age, celebrity and comedy.
Wearing, Sadie
Retirement deferred.
Wearing, Sadie
Sexual politics considered.
Wearing, Sadie